This episode looks at three stories from THE FUTURE IS FEMALE edited by Lisa Yaszek. These stories cover the years 1945 to 1951 and include Wilmar Shiras' "In Hiding".
In this episode I look at five stories collected in THE FUTURE IS FEMALE edited by Lisa Yaszek.
Clare Winger Harris, "The Miracle of the Lily"
Leslie F. Stone, "The Conquest of Gola"
C. L. Moore, "The Black God's Kiss"
Lesli Perri, "Space Episode"
Judith Merril, "That Only a Mother"
Willa Cather wrote SAPPHIRA AND THE SLAVE GIRL in 1940. This novel takes us back to pre-Civil War Virginia and looks at the sexual politics in a slave-owning household. Perhaps it is not her best novel, but it certainly gets the sexual tension in such households correct.
This episode includes my thoughts on LUCY GAYHEART by Willa Cather. This novel tells the story of a naive young woman who falls in love with a married singer in Chicago. But her silliness does not excuse her scorned suitor from feeling he has been put into the imaginary "friendzone". That was a thing in the 1920s too? Men never change.
We say good bye to colonial French Canada and another of Willa Cather's excellent novels in part two of my review of SHADOWS ON THE ROCK. I loved the characters and setting in this one.
What was life like on late 17th century French Canada? I have no idea, but Willa Cather paints a nice picture of a socially diverse but united community. And in good Cather style we see the conflict between the evolving frontier and the home culture.
Spoiler alert. He dies.
In this episode, I look at the the second half of DEATH COMES FOR THE ARCHBISHOP by Willa Cather. We continue to follow two priests who play a role in taming the New Mexico frontier, for better or for (probably) worse.
After the U.S. stole half of Mexico, the Catholic church formed a new diocese in New Mexico. In DEATH COMES FOR THE ARCHBISHOP, Willa Cather tells the story of how the church played its role in bringing this frontier to heel.
In this episode, I finish looking at Willa Cather's THE PROFESSOR'S HOUSE. In the second half we get a look at the background of Tom Outland, a look at the ancient southwest civilizations, amateur archeology, the indifference of bureaucracy, and the resolution to the Professor's mid-life crisis.